Artistry in Glass
04 Feb 2018
Glass artists' work focuses on simple beauty
Winter 2017/2018
Written By: Kristen Pope | Images: David Bowers
Inside Laurie Thal’s glassworking studio, shelves of colorful bowls, vases, bottles, and other pieces line the walls, and a metal tree of dangling blownglass ornaments rests just inside the door. The studio, located off the Village road, isn’t just for display—it’s where she and partner Daniel Altwies create their masterful pieces of glass art.
Twice a year, they fire up the glass furnace, waiting three days for it to reach 2,000 degrees Fahrenheit. Once it reaches the ideal temperature, it’s go time. The furnace remains on for 24 hours a day, and they maximize that time by blowing glass up to six days per week. They melt up to 100 pounds of glass a week, shaping and blowing it into just the right forms. Thal selects the combination of colors, and Altwies sandblasts the pieces, masterfully removing intricate lines of color to create detailed white patterns and designs. A single piece, such as an architectural fused glass commission, can take weeks to fabricate. Thal started creating glass art in the valley decades ago. After graduating from the Art Institute of Chicago with a major in glass, she came out to Jackson to ski for a winter and plunged into the world of glass artistry right away. Deciding she needed her own studio, she bought some land and built one in 1977. She moved the operation to her current studio in 1988. For years, Altwies worked as a graphic artist until he and Thal started creating glass art together four years ago. The two have been partners for 11 years. While Thal is shifting a lot of her work to the realm of architectural installations, including a recent 14-foot-long piece that hugs the recessed curve of the ceiling in a local plastic surgeon’s office, she still loves creating the pieces she is best-known for: bowls.

